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In this tutorial, Jake Rainis will teach you how to get started with Fraktur calligraphy.
By the end of this article, you will have a clear understanding of what you need and how you can get started with Fraktur calligraphy.
Before we jump right into this article, let’s have a quick overview of what you will be learning –
- The different styles of blackletter calligraphy and their differences
- What makes Fraktur different?
- The tools needed
- Understanding the line structure
- Basic stroke techniques
- Learning the alphabet (+ FREE downloadable practice sheets)
- Further learning and practicing
- Final words
Without any further delays,
My name is Jake Rainis, and I’m a calligraphy artist from Boston, Massachusetts (USA).
I’m extremely passionate about flat-pen calligraphy, particularly all the different styles of Blackletter calligraphy.
Today, I’d like to teach you everything you need to know to start with one of the most prominent styles of Blackletter; Fraktur.
Fraktur is one of the four core styles of blackletter.
Before jumping in, I’d like to address one of the most commonly-asked questions about Fraktur (and subsequently, every other style of Blackletter calligraphy).
What are the different styles of Blackletter calligraphy, and how can they be distinguished from each other?
If you’ve ever pondered this question, you’re in the right place!
Blackletter calligraphy has a rich history. While this history is beyond the scope of what can be packed into this article, it does help to have a high-level understanding of what Blackletter calligraphy is at its core.
This understanding will help to make your journey more purposeful and help you learn to differentiate one style of Blackletter from another.
Blackletter is a category of medieval-era calligraphy and typography.
It can distilled down to four styles;
Any other variation can be considered an offshoot that developed from one or more of these core styles (common examples include Cursiva or Schwabacher).
These styles developed between the 11th and 18th centuries in the order described below.
Over many centuries, their generational evolution was the result of regionality, education (or lack thereof), available materials of the time, religion, and politics.
Blackletter’s roots started with Textura, which came about in the 11th century as a response to Europe’s evolving literacy.
As more universities opened their doors, so did the need for educational textbooks.
Carolingian was the standard hand at this time.
However, despite its clear legibility, it was time-consuming to produce, and its wide letterforms occupied a considerable amount of space on the page.
For these reasons, scribes in Northern Europe began developing alternative forms of Carolingian that became the Textura style we know today.
The strokes in these letterforms were more uniform than Carolingian and carried a repetitive vertical rhythm.
This allowed scribes to work faster, and since the letterforms were much narrower, more text could fit on a single page.
Textura is the foundational basis of all Blackletter calligraphy.
Be sure to check that out for further learning!
Shortly after the emergence of Textura in the 11th and 12th centuries throughout Northern Europe, Rotunda emerged from Southern Europe.
Rotunda shares some of the same structural characteristics as its rigid cousin Textura, but as the name “Rotunda” might suggest, it also features far more rounded qualities.
As a result, the style is far less rhythmic and considerably more legible.
You’ll also notice that some of the vertical stems in Rotunda’s letters feature flat bottoms.
This quality is truly unique to Rotunda.
Jumping back up to Northern Europe, the 14th century saw the emergence of Bastarda.
Also true to its name, Bastarda scripts can be characterized as bastardized treatments of Textura.
The style is a hybrid mix of traditional Textura and the simplified Cursiva styles that came about in later centuries.
This evolution from the Textura script is likely because, in addition to the development of better materials during these times, Bastarda is quicker and easier to write.
Because of this, Bastarda is considerably more gestural and organic than rigid and uniform.
While there are no singular “textbook” forms of any style of Blackletter, Bastarda is perhaps the most nebulous since its execution is far less prescribed than its predecessors, Textura and Rotunda.
Fraktur, which didn’t debut until the 16th century, is Blackletter’s fourth and final core style.
To incite centralized typographic normality, it was developed under the orders of a German emperor who was frustrated with the difficult-to-read hands throughout Europe.
There are centuries of controversy-filled history behind Fraktur’s existence, but it finally fell out of popularity in the mid-1900s.
This was due largely in part to the rise of the Third Reich.
Most Nazi propaganda was printed in Fraktur throughout World War II, and the style eventually (and unfortunately) became synonymous with the Nazi Regime.
What Makes Fraktur Different?
Fraktur is arguably the most prominent and mature of the four core Blackletter styles.
Its heyday was far longer than its predecessors, and it existed during a time in which it could be printed and widely distributed.
The word Fraktur is derived from the Latin word “fractus,” which means broken.
This word translates to English as “fracture.”
The meaning is quite accurate as the Fraktur letterforms are broken apart into fractured strokes laid out at many angles.
This could certainly be said about other styles of Blackletter, but the stroke formations of Fraktur – particularly its uppercase letters – are considerably more complex and broken apart.
The angles and curves of Fraktur letterforms differ greatly from the Textura hand, which is comprised of shorter, straighter strokes that fall at just several different angles.
Earlier, Blackletter’s hands were straight, rigid, and narrow, which created a strong vertical rhythm, and because the letters were often tracked together tightly to conserve space on a page, they were difficult to read.
Fraktur does contain rounded strokes, but Rotunda is perhaps the easiest style to distinguish it from since Rotunda letterforms are not “fractured” much at all.
As previously mentioned, they also contain flattened vertical stems, which is not an aesthetic feature in Fraktur.
Bastarda is perhaps the most difficult style to differentiate from Fraktur since their letter structures share similar qualities.
Bastarda tends to be wider, simpler, and more gestural, so use these three visual features as clues when identifying differences.
Blackletter Calligraphy Tools
As you might already know, an overwhelming number of tools are designed to create calligraphy.
In this article, Max covers the essential calligraphy tools every beginner needs to get started.
However, when it comes to Blackletter or any other style of flat-pen calligraphy, traditional pointed nibs and brush pens that are used to create Copperplate or Spencerian scripts aren’t the best-suited utensils for the job.
Instead, you’ll want to use a broader tip.
Broad tips can come in the form of markers, fountain pens, brushes, and quills.
All are worth exploring in depth throughout your creative pursuits because each will yield different results based on the application.
Likewise, each one will require its own unique learning curve.
If you’re just starting, I’d encourage you to prioritize learning the calligraphy itself, rather than focusing too much effort on learning how to wield the tools effectively.
This will streamline your initial learning.
And once you’ve grown comfortable with the calligraphy, you can branch out on tools to your heart’s content.
The lowest barrier to entry is undoubtedly the Pilot Parallel fountain pen.
Parallels are a must-have if you’re serious about Blackletter or flat-pen calligraphy.
The broad-edge tip comprises two parallel slabs of metal that feed the ink.
They come in four sizes:
(get both the 3.8mm and 6mm – you won’t regret it).
These pens are extremely precise, robust, and easy to maintain.
You can also refill the cartridges with your own ink as well as mix other colors to create beautiful gradations.
Beyond the pen itself, you’ll want the following basic supplies:
- Paper (Mixed media paper, or anything suited for ink or wet media)
- Ruler (A T-square is most convenient, but any straight edge will do)
- Pencil (To draw the guidelines)
- Eraser (For erasing guidelines when your work is complete)
I have no explicit recommendations for brands or materials here.
I use what I have lying around.
Understanding Line Structure
When preparing your composition, chances are you’ll want to use guidelines as a visual aid.
A typographic line structure comprises several horizontal lines marking the different spacial anatomies of a letterform.
You’ll want to draw these guidelines to ensure consistency throughout your work.
In this article, Max will teach you everything you need to know about calligraphy guidelines and how to use them.
Consider the following diagram:
All letters sit on the baseline; most lowercase letters are as tall as the x-height.
However, some letters (such a “b” or “l”) have a stem that rises beyond the x-height.
These extended portions of a letter are called ascenders, and they’ll reach up to the ascender guideline.
Likewise, some letters (such as “j” or “p”) have descenders or portions of the letter that reach below the baseline down to the descender guideline.
All uppercase letters also sit on the baseline, and a couple also has descenders.
However, unlike their lowercase counterparts, they’re all as tall as the ascender guideline.
How far apart these guidelines are from each other is another important aspect of how your letters will appear aesthetically.
Traditionally, vertical spacing in Blackletter calligraphy is measured in units, where one unit represents one nib-width of your pen.
For example, if your nib is 6MM wide, your spacing unit is 6MM.
Most fraktur alphabets follow “2:4:2 ratio”.
- The space between the ascender and x-height guidelines is two units
- The space between the x-height guideline and baseline is four units
- The space between the baseline and descender guideline is two units
I would recommend you begin your studies with the classic 2:4:2 ratio.
Once you’re comfortable with this approach, experimenting with guideline spacing is something you can and should do in your calligraphy explorations.
Basic Stroke Techniques
Over the many centuries of Blackletter’s heyday, scribes began to write with more expression and gesture.
This was likely due to speed and the evolving quality of paper since their pens could glide without catching their nibs on rough edges and paper fibers.
This expression is visually apparent when comparing early 12th-century Textura samples to 17th-century Fraktur samples.
This expression, paired with its complex structure, makes Fraktur so nuanced and arguably the most difficult to learn.
But of course, that doesn’t mean it cannot be done!
When approaching Fraktur, you’ll want to keep a few aspects in mind.
First, and perhaps most important, the angles most Fraktur letterforms are comprised of vary drastically compared to Textura, in which the pen sits at just a couple rather steady angles.
Compare the same letters in Fraktur and notice the variety of different angles:
The horizontal strokes that connect vertical stems in Fraktur are noticeably more sporadic and varied than the rhythmic consistency found in Textura.
As you learn to write Fraktur, you’ll want to get comfortable with rotating the pen from stroke to stroke to achieve appropriate angles and varied widths.
While the Fraktur alphabet might follow less of a typographic system than Textura, you’ll begin to identify similarities between certain letters that will help you commit these stroke techniques to memory.
Another major characteristic of Fraktur (and one beginner often find confusing) is the construction of its vertical stems.
At first glance, a newcomer might wonder how such points can be achieved in one stroke.
Instead, they’re done in several layered strokes.
The following diagram illustrates how:
These stems appear in most lowercase letters and are a major visual factor that distinguishes Fraktur from other styles of Blackletter calligraphy.
Practicing this layered stroke repeatedly is a great way to build a solid foundation for many different letters in the alphabet.
Learning the Fraktur Alphabet – FREE downloadable worksheets
If you’ve read this far, you should now be well-equipped to begin practicing the Fraktur alphabet.
And practicing (for hours and hours on end!) is all it takes to become proficient in any calligraphy style.
I’ve put together a printable guide for the lowercase and uppercase alphabets to aid your studies.
Drop your email below, follow the instructions, and you will receive instant access to the Lettering Crate.
Stay updated with my tutorials and get instant access to the Lettering Crate –
A growing library of free lettering & calligraphy resources that includes – FREE downloadable practice sheets, Procreate brushes, the 30-day lettering planner, printables, and more!
It’s a resource library that contains the Fraktur worksheets (among many others) and a ton of other freebies as well.
The guides are sized for pens with a 3.8MM nib-width (the exact size of the green Pilot Parallel for convenience) but any pen in the 3.5-4.5MM range will suffice for practice.
Print out as many copies as you need and begin by tracing each letterform.
As you trace, pay close attention to the angles at which each stroke starts.
Also, note their size and how they sit in relation to each other, and the negative space around them.
Understanding these relationships will help reinforce the uniformity necessary to create consistent letters and words.
Once you’re comfortable with tracing, try recreating them from visual reference without tracing them.
And after enough practice, you’ll become intimate enough with these letterform structures to recreate them from memory without a visual reference.
This is where the fun begins! Memorizing an alphabet is only the beginning of your journey.
At this point, you can begin experimenting with different materials, creating complex compositions, working at different scales and guideline ratios, and even begin evolving the alphabet into your own signature style!
Further learning of Fraktur calligraphy
Hopefully this article was comprehensive enough to give you a robust background in what Fraktur calligraphy is in relation to other styles of Blackletter as well as how to distinguish it and recreate it for yourself.
It’s impossible to provide enough information within a single post for one to master a style of calligraphy.
However, if you’re interested in taking your learning to the next level, I’ve created a series of books to help you do so.
Each of these four books covers one of the four styles of Blackletter calligraphy in extensive detail (Textura, Rotunda, Bastarda, and Fraktur).
These books are available digitally on my website (and can be printed just like these free worksheets)
Mastering a calligraphy style can be difficult and frustrating, but don’t let this discourage you.
It will probably not come naturally to you, but you’re not alone.
Keep in mind that even though it can be considered an art-form by today’s standards, it originated as a utilitarian practice.
No one was born possessing an innate skill to write calligraphy.
It only came about with deliberate practice, just like learning to speak a language.
Take breaks often, particularly if your hand gets sore or if you find your focus and attention drifting away from your work.
Learning a style of calligraphy is like working out.
Going to the gym once for four hours is far less effective than regularly going in shorter intervals.
Dedicate time to practice regularly, and you’ll be impressed by your own work in no time!
Be sure to join our official Facebook group where you can share your work, ask questions about lettering & calligraphy, network with fellow artists and much much more!
Until the next time,
About the author
I’m Jake Rainis, a Calligraphy Artist from Boston.
My journey as an artist started when I was old enough to hold a pencil, but it wasn’t until high school that I committed to becoming a creative professional. When I graduated, I moved to Boston and earned my degree in Graphic Design at Northeastern University. I’ve been living in Boston ever since and have over decade of experience serving clients in a variety of fields.
I began specializing in typographic arts in 2013. Over the course of several years practicing lettering and calligraphy for myself and for my clients, I have found my niche in pushing the boundaries of blackletter calligraphy.
Calligraphy is a discipline that dates back centuries. While many may think it to be an obsolete utilitarian practice, it is actually an evolving subculture celebrated by artists around the world. Through my own work and teaching, my goal is to spread awareness of this culture and help aspiring artists find success in their creative endeavors.